September 20, 2022September 20, 2022 by The Dance Journalist In Interviews, The Dance Journalist Al Blackstone stages “An American in Paris” in 11 days (or, The Making of The Modern Day Musical)
September 15, 2022September 15, 2022 by The Dance Journalist In Interviews, Lists, Mindset, backstage How to Choreograph a Dance
August 24, 2022August 24, 2022 by The Dance Journalist In Press GIGNITION gives artists their power back
July 17, 2022July 17, 2022 by The Dance Journalist In Reviews, The Dance Journalist Fun, laughs, and physical comedy in Mr. Saturday Night
July 17, 2022 by The Dance Journalist In Reviews, The Dance Journalist Power Moves in Tina: The Tina Turner Musical
July 3, 2022 by The Dance Journalist In Reviews, The Dance Journalist Shaking up the status quo: Raja Feather Kelly makes movement matter in A Strange Loop
June 11, 2022 by The Dance Journalist In Reviews, The Dance Journalist “The King of Pop” comes to the Great White Way in MJ: The Musical
May 31, 2022 by The Dance Journalist In Reviews, The Dance Journalist Mrs. Doubtfire and how to make the screen-to-stage approach work
May 31, 2022 by The Dance Journalist In Reviews, The Dance Journalist SIX is more than just a pop concert on Broadway
February 21, 2022February 9, 2022 by The Dance Journalist In Broadway Dance Center, Health Dance Theatre of Harlem: breaking barriers in ballet
The Dance Journalist 