September 20, 2022September 20, 2022 by The Dance Journalist In Interviews, The Dance Journalist Al Blackstone stages “An American in Paris” in 11 days (or, The Making of The Modern Day Musical)
July 17, 2022July 17, 2022 by The Dance Journalist In Reviews, The Dance Journalist Fun, laughs, and physical comedy in Mr. Saturday Night
July 17, 2022 by The Dance Journalist In Reviews, The Dance Journalist Power Moves in Tina: The Tina Turner Musical
July 3, 2022 by The Dance Journalist In Reviews, The Dance Journalist Shaking up the status quo: Raja Feather Kelly makes movement matter in A Strange Loop
June 11, 2022 by The Dance Journalist In Reviews, The Dance Journalist “The King of Pop” comes to the Great White Way in MJ: The Musical
May 31, 2022 by The Dance Journalist In Reviews, The Dance Journalist Mrs. Doubtfire and how to make the screen-to-stage approach work
May 31, 2022 by The Dance Journalist In Reviews, The Dance Journalist SIX is more than just a pop concert on Broadway
April 13, 2020April 22, 2020 by The Dance Journalist In Essays, The Dance Journalist “Nope. No way.” — My feelings about virtual dance class
April 6, 2020April 17, 2020 by The Dance Journalist In Interviews, The Dance Journalist Broadway Bound Initiative: getting unstuck and regaining your power
The Dance Journalist 