September 20, 2022September 20, 2022 by The Dance Journalist In Interviews, The Dance Journalist Al Blackstone stages “An American in Paris” in 11 days (or, The Making of The Modern Day Musical)
July 17, 2022July 17, 2022 by The Dance Journalist In Reviews, The Dance Journalist Fun, laughs, and physical comedy in Mr. Saturday Night
July 17, 2022 by The Dance Journalist In Reviews, The Dance Journalist Power Moves in Tina: The Tina Turner Musical
July 3, 2022 by The Dance Journalist In Reviews, The Dance Journalist Shaking up the status quo: Raja Feather Kelly makes movement matter in A Strange Loop
June 11, 2022 by The Dance Journalist In Reviews, The Dance Journalist “The King of Pop” comes to the Great White Way in MJ: The Musical
May 31, 2022 by The Dance Journalist In Reviews, The Dance Journalist Mrs. Doubtfire and how to make the screen-to-stage approach work
May 31, 2022 by The Dance Journalist In Reviews, The Dance Journalist SIX is more than just a pop concert on Broadway
February 7, 2022January 31, 2022 by The Dance Journalist In Broadway Dance Center, History Michael Peters: the Balanchine of MTV
August 16, 2021August 15, 2021 by The Dance Journalist In Uncategorized I am a dancer and I do more than dance
June 21, 2021June 11, 2021 by The Dance Journalist In Advice, Rachel Neville Studios Becoming “better:” Think critically
The Dance Journalist 